In projects where readability is paramount, it’s tempting to go with those familiar workhorse fonts  – Georgia, Helvetica, Open Sans, Verdana – they’re safe, if not entirely inspiring.  Next time, consider Source Serif Pro from Adobe.  The free family includes...

This week we bring you two distinct fonts, each beautifully adapted to a specific purpose.First up is Chivo by designer Hecto Gatti of Omnibus-Type in Buenos Aires. A grotesque-style typeface with four different weights, it’s ideal when you want one...

A few months back we presented a great font in the grotesque category, a design style that’s straight and uniform rather than inspired by calligraphy. This week, we’ve got another one for you. Rakesly by Typodermic Fonts Inc. is a...

You see it, you love … and you have no idea what the name of that font is.  If you do any amount of designing at all, you’ve likely run across this problem. Well, problem solved, according to the folks...

In type design, it’s all about the nuance, the little differences that set the tone and feel for a font family. This week, our two free font choices are great examples of how subtle changes can make a big impact....

Some like it curvy; some play it straight. Whatever your design needs, our two picks this week will be solid additions to your type toolkit.Let’s start with Sansita from the folks at Omnibus-Type Foundry in Buenos Aires, Argentina. This curvy,...

When your design project is text-heavy, it’s tempting to go with tried and true Helvetica. But really, we’ve seen it so often it might be nice to mix things up a bit. Try Aileron by Sora Sagano, a Japanese artist...